100 Movies for Writers & Creators

January 19th, 2010 by Terence Gillespie            Email this article to a friend Email this article to a friend

Lips move in poetry only when they cannot not kiss.

Words have limits. In the end all they can do is "Translate wonder into less noble things". This is a hard pill to swallow for someone who loves words, as I do. Understanding their limitations provides means to become a better writer.

Apart from the act of writing, itself, the optimal means of improving word-craft is to learn from experts in mediums of more efficient delivery. Those mediums consists of almost everything other than the written word.

Movies are a great start. When you can’t move another muscle towards your purpose watch one of these movies. Your subconscious will make the connection to your art.

(Six of these are included for their brilliant screenwriting. Parse every syllable and inflection as a masterpiece in the brevity and nuance of the spoken (Not written) language.)

  1. Barfly
  2. Hearts of Darkness
  3. Finding Forrester
  4. Julia & Julia
  5. A Beautiful Mind
  6. Shine
  7. Amadeus
  8. Quills
  9. Tucker
  10. Wind
  11. Sherlock Holmes
  12. Ray
  13. The Aviator
  14. Searching for Bobby Fisher
  15. The Muse
  16. The Killing Fields
  17. Pollack
  18. The Player
  19. Don’t Look Back
  20. Thirty Two Short Films about Glenn Gould
  21. My Favorite Year
  22. Ishtar
  23. The Big Fish
  24. All The Presidents Men
  25. Absence of Malice
  26. The Shining
  27. Purple Violets
  28. World According To Garp
  29. The Swimming Pool
  30. The Hoax
  31. The Prize Winner Of Defiance Ohio
  32. Pandaemonium
  33. Finding Neverland
  34. Miss Potter
  35. Adaptation
  36. Wonder Boys
  37. Shattered Glass
  38. Funny Farm
  39. The Hours
  40. Mr. Hollands Opus
  41. Deathtrap
  42. The Big Picture
  43. Henry & June
  44. Shakespeare In Love
  45. Wonder Boys
  46. Sylvia
  47. Stranger Than Fiction
  48. Before Night Falls
  49. Il Postino – Inspiration for "Tonight I know How Poets Feel"
  50. Big Bad Love
  51. Misery
  52. Iris
  53. Kafka
  54. Barton Fink
  55. Beloved
  56. Mrs. Parker and the Vicious Circle
  57. Deconstructing Harry
  58. Phenomenon
  59. Wilde
  60. Nora
  61. Tom & Viv
  62. Gothic
  63. Whole Wide World
  64. Shadowlands
  65. Adaptation
  66. Ask The Dust
  67. The Lost Weekend
  68. Harry Met Sally – sw
  69. Sleepless In Seattle – sw
  70. Shawshank Redemption – sw
  71. Goodfellas – sw
  72. Casino – sw
  73. The Verdict – sw
  74. The Making of ‘Star Wars’
  75. The Making of ‘The Shining’

Mmmmm, not 100 movies yet. Isn’t 75 enough?!

Not done, yet. Check back. In the meantime, e-mail me your ideas so everyone can benefit.

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3 Responses to “100 Movies for Writers & Creators”

  1. Movie Lover’s Carnival 004…

    The fourth edition of our Movie Lover’s Carnival. Avatar, Maqbool, and even a bit of RPattz thrown in for good measure!
    ……

  2. Just Write Blog Carnival: January 29, 2010 Edition…

    This week’s carnival is sponsored by Thicker than Blood by C.J. Darlington You can win a copy of this book simply by leaving a comment. Deadline to enter the drawing is Wednesday, February 3, 2010 5:00 p.m. cst. Winner will be contacted by email …

  3. Nike Lover says:

    Honestly, I am speechless. The Shawshank Redemption is tremendous. I’am quite young film fan, in fact, this film is realised the same yearI was very young, and so I’am more accustomed films with marvelous special effects, edge-of-your-seat action, et cetera. This film has zero of that, and however, it appeals so close to me . The way Frank Darabont uses the story of Red to drive on the story, the excellent the movie music utilized (note the harmonica used merely before Red receiving the letter at the end). The entire film, from start to end, from actions to sound, is a beacon of hope, assessment, and redemption. The cast is pure, Morgan Freeman(Red) in reality brings about a fresh feel to the story, and that is precisely what the film is, what a film should be. Really recommended for each film fan.

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